Slice in the mail

I have finished my flower shop for the group quilt. It seemed to take forever to add fiddley vases of flowers and try to get enough references to the colours in the canopy and look natural as well. I used some fabric markers to try to give some curved dimension to the vases. Had lots of ideas for machine lace, but opted for the usual fused pieces and FMQ in blending colours to stitch them down.

I am much more excited about my larger hydrangea project. The first flower I did with glue to hold the pieces together, but I don't like the effect, as you can see the glue on the surface. Probably be OK once stitched, but I won't use that for the others. Can't decide between fusing or stitching only. I think I can do a mixture and see how I feel. Some of the flowerets are behind others, which gives me the chance to hide any that I decide are not the way to go.

If I am still interested when I have done this one, I might try an alternative of painting the flowers to get a more natural blending. This is a project that will get me up in the morning!

Spring is really burgeoning, and a lot of irises will be out in the next 2 weeks. That means more flower photos. Is that good????

Fast Friday Challenge No 37

This is the first time I have done a challenge for this group. The remit was outer space and use a new technique.

I printed a photo of M42 in the Orion Nebula (NASA and Hubble) onto lutradur. That was a first for me. The colours were a lot more muted than the 'real' thing, but I decided to run with that. Next I added a thin layer of angelina underneath the fibres of the lutradur. That added a nice gleam, but to be honest, a pearlised paint would have done the same. Because of the muted colours I spent an age trying out borders and more contrast within, either beads or sheers, but in the end I felt they would all detract from the springlike colours. I glued on some stars from a piece of sheer I had painted ages ago. Added a few sequins. The dark purple star border is actually very shiny and sparkly. I was lucky to have a small piece of batik that looked like it continued the pinks and lights, and some hand dye that continued the grey lower area. I faced it, and it's done.

Now I look at the original again, I can almost "see" a section of Michelangelo's god pointing down from heaven in the Sistine Chapel. I have had a couple of glasses of wine, though!

One hydrangea portrait done

This project is looking good. It's not very big, about 10 by 8 inches, but it demonstrates how you can show a white flower by using greys, grey-lilacs, and blue. The photo I had originally had a lot of texture in the petals, and that has come through quite well, by using a pale blue thread for the ribs, and Bottom Line white for the cell structure. Close up, I find the fabric changes a bit disturbing, but from 2 metres it looks good.




I tried a different stitch to attach the chenille cording, and that also worked well. As usual, I tried about 6 different types of bead, before deciding not to use any! There really are so few times that I can feel happy about glitz. Yet, I often admire other people's work with lots of embellishment. Something to work on maybe...

Next job, finish my group slice. It shouldn't take too long if I just knuckle down to it.

Trying out uda

The flower power class has been going on without me, so I need to catch up. There is only one more lesson to come, and then we need to finish (or start) our preferred flower portrait. I want to do a very busy one of hydrangeas in blues, so I am practising the upside down applique technique on a smaller one of two white hydrangea bracts with muticoloured flowers behind. I wasn't sure which sort of stabiliser to use as a foundation, so I used a thin vilene. I think it is too thin, really, as if you have to unpick anything, there is every chance it will tear.

The reason I have missed a couple of lessons is that I have just been to Australia for a 2 week vacation. It's not often that I go away somewhere that doesn't involve seeing my mother at one point, so it was a different experience to just be relaxing and acting like a normal tourist. I flew to Brisbane and picked up a rental car. It was an off-site company, and the car was left with the keys in a coded box. It had a GPS but very few instructions. I couldn't get to hear anything and I tried several menus without success. My first day was on my own, so I planned to go to art galleries and quilt shops so as not to drag reluctant friends round with me. I was fairly stressed on the drive into the town centre, and think a normal map would have been easier. However, I got to the modern art gallery a couple of minutes before it opened. It was an interesting building. There was an exhibition of Aboriginal weaving - baskets, nets, that kind of thing. Brilliantly displayed, but not obvious to me why any particular basket was more worthy than any other. They were fairly simple designs with few obvious patterns. In the centre was a display of about 100 'star' poles, I can't remember the actual name. These were poles about 2 metres long, stuck in the sand, which had bands of grasses and feathers and braids. When you rubbed them between your hands the top part of feathers and braids would spin out and look like stars. Again, I'm not sure which tribes or groups were represented, but they were from Arnhemland.

The rest of the modern art was not for me. There was a huge figure of a woman in bed, about 4 times life size. I usually like a proportion in a modern art museum, but there was little here that would make me return. After that I went to the normal art gallery where there was an exhibition of American Impressionists. It was a good selection and displayed mainly by genre or subject. The landscapes and portraits were my favourites. In the permanent collection there were also some interesting paintings representing most European historical periods, including a few impressionists and pre-raphaelites. Both museums were well displayed, good use of space, and comfortable.

I had a strange spicy bean soup in the cafe there, and then headed by GPS for a couple of quilt shops that had been recommended by 2 people on the AusNz group. They were the Quilt Store, and Sewco. The Quilt Store was very unprepossessing from the outside, looking like a small doorway in a warehouse. But inside there were two large rooms, one with threads, books and embellishments, and one with fabric. It wasn't particularly cheap. Bottom Line thread was $18 Australian, which is about $12 US. I found Margo Duke's book on needlefelting, and another one on ribbon embroidery, that I found irresistible. A few fat quarters and some Colourstreams silk ribbon and I was $150 the poorer (or richer, depending how you look at it!). Sewco was also a good selection of fabrics and the rest.

I got to my apartment in Broadbeach in time to shop for some breakfast and other essentials and a piece of fish and one potato and some frozen spinach for my dinner. I didn't fancy going out. I had got up at 3.30 am to catch the plane, so simple and light was the choice. Apartments in Australia and to a lesser extent in NZ are very spacious. This one had two bedrooms, two bathrooms, a laundry, full kitchen, dining and sitting room and a balcony overlooking the pool. Not a flash place, but quietly on a back street, while still being close to the centre.

That was the total of art and culture for the 2 weeks, but I had a great time walking in the countryside, seeing native animals in the wild, and some really nice beaches. Good to spend time with Noriko, Lynne and Graeme, and we laughed a bit, drank not too much and relaxed a lot.

Flower Power

I started this QU course last weekend. As usual Susan Brittingham gives full notes about all the processes and good illustrations. The homework for week one was to try free cutting for an applique flower. I wanted to do a rose that I had traced over, since I had the right fabric for it, and thought it was reasonably straightforward. I traced the b and w drawing onto freezer paper and numbered and labelled all the small pieces. I had a piece of fabric that was stripes of rust to tan all merging into one another. One end of it was dark reddish brown. The only other fabric I needed was a deep yellow, and a touch of lime yellow. All fabrics were solids, but it didn't matter for this project, which is small - less than journal size.

I spent all afternoon at the ironing board, cutting sticking the pieces for each petal separately first, and then assembling. Pretty well worked out which pieces needed to underlap - only two places I had to adjust. I got back ache, but keept going in the zone, and totally forgot the time. I looked at the clock at 5.55, thinking I was hungry and what would I have to eat, when remembered that I was going to a cooking class and needed to meet my friend at 6!

When I got home from learning how to make slow roasted lamb in pomegranate molasses and spices, with saffron pilaf, and rosewater panna cotta, I fused the whole rose to a piece of purple McKenna Ryan fabric. It looks pretty real.

I am not sure if I want to finish it, by stitching and quilting etc. No hurry, as I must finish my flower shop first.

Movies, opera and sketching

Art quilt-wise, at the moment I am working on my house for the slice quilt our online group is doing. It is harder to keep going than I imagined. That might be partly because we let the timescale drift a bit. I did numerous samples for the windows, and I wanted to include something you could see through the glass, like a cat, a blind, or a vase. But the scale is so small, that I abandoned that idea. Next I tried several methods, upside-down applique, piecing and fusing. I preferred the fusing, because the UDA distorted the corners the most, and the piecing gave too much bulk. Would probably be fine on a larger item.

At the moment I am doing the decorative relief plaster that is on my sample photo of a large building on the waterfront in Willemstad, Curacao. I will do the flower shop part separately and attach it at the end, in case of disasters. I have some great fabrics with flowers on, which I hope I can fussy cut. When I get my embellisher back tomorrow I will also try attaching some using that. Oh my god - MORE samples!

Despite my best intentions of starting stitching at 8.30 this morning, I have passed a couple of hours looking at a DVD I rented of Fitzcarraldo. I saw this Werner Herzog movie years ago, and it had a huge impression on me. Since my boss is going to Manaus in a few weeks, I looked for it to check out my memory. Instead of watching the movie, I watched the interview with Herzog et al on the making of the movie. Honestly you get to see all the pivotal parts of the story, plus his tales of the making of it are actually more amazing than the original story. If you don't know the story, a manic Irish guy in Peru decides to build an opera house in the jungle, and that involves dragging a steamboat over a mountain to a different tributary of the Amazon. To make the movie, it took them 3 years to build two identical boats, one to drag and the other to sail about. Their camp, which took a year to build, was razed to the ground by hostile natives. Money was a constant worry and only came in dribs and drabs. Everyone though Herzog was crazy and it would never happen. There was only radio contact from the filming site to Iquito, and all supplies had to be brought from there. They used native Indians from logging areas to act and actually drag the boat (using winches and stone age wooden cranks). They used dynamite to try to improve the gradient from 60 degrees to 40 (plus a caterpillar machine that they shipped in). Half the time there was a drought and no water in the rivers, and the rest of the time there was too much. In the final scenes where the boat goes through rapids and gets damaged, they actually sent the boat through twice, once with a few people on, and once with none. They had to carry with them a few ladies of the night, to avoid problems with the crew and cast having to spend 8 months in the jungle. They had tense relations with the native Indians as it was, without incursions into their villages looking for women. There were lots of near accidents, and a few actual ones. One Indian got bitten by a very poisonous snake, and not having time to get to the antiserum, and knowing his heart would fail in less than 3 minutes, he cut off his own foot with a chainsaw! He survived. Kinski, the lead actor, was almost impossible to work with, having serious tantrums every day. He was certainly mentally unstable, which made him perfect for the part of Fitzcarraldo.

The interview was one of the most interesting I have ever listened to.

A lot of it was shot as in nighttime, with low level light, which had amazing effects. The native Indians have very prominent bone structure and I tried to sketch one man, who was wearing a headband with a few blue and orange bird feathers incorporated into it. Their faces would be great for a portrait quilt.

Now, it really is time to stitch!

Stitching to dye

I bought June Barnes' book when I was in the UK (well it was my birthday present from my Mum, but I ordered it!). I have read it from cover to cover at least 3 times already, and I was excited to get to start playing with her ideas.

Her initial colour and dyeing exercises are based on blocks like logcabin or stars, since the focus is on the effects of different fabrics' take-up of colour. I couldn't think of a project where I wanted to do that, but I was experimenting with bark effects on trees, so I thought I could base my first attempt round that idea. I played with rectangular and random wavy blotches, and went for the semi-abstract rectangles and triangles, with a selection of natural coloured and printed fabrics. I bought several new FQs and some white on white ones, at Spotlight on Monday. I was very diligent and washed them all first. I also had some velvet for dyeing that I bought from marjie McWilliams, but I can't remember the composition of it now.

I did straight stitch round each scrap, though maybe I could leave out that step if I used glue or fusible web. Actually it took quite a long time. I was using the walking foot and swivelling at corners. I tried FMQ, but I didn't like the effect. Next I tried her granite stitch to secure the raw edges. I don't think I did them anywhere near small enough, but will play some more. I filled in the gaps with more circles and a few wavy lines. My impression is that the stitching and especially the garnet stitching makes too much of the gaps and detracts from the fabric patches.

I was supposed to be using cotton thread, but I only had cheapo white, with no writing on it, so couldn't tell. The blob test was inconclusive. Transpires now that most of it was cottonish, but when that ran out, I used polyester, which didn't take up the dye.

I mixed what I thought would be a yellow-green, but it turned out apple green. Looks OK. the velvet took the brightest dye, the linen the most yellow, and the attached calico the darkest bluest green. The neutral printed fabrics all turned out much the same colour.

I thought about colouring the threads with paint or crayons. Tried out 3 inktense colours on the back, but they migrated right through to the top overnight. I think the batting was the cotton and bamboo one. Nothin remarkable there, except the price.

I might use it to try low immersion dyeing and overdye with a turquoise, or I might start a new one with the white on whites. I had fun, and it didn't matter what happened, which was a good outcome.

Why I have been so quiet

Since halfway through my vacation, I have not been in the right headspace to post here. Once I got back from the UK and Japan, I was determined to finish the bed quilt I had started in 2001. It was a BOM from Quilter's Barn, Renwick. It began a month before I left to live in Italy for 8 months. I took all the fabric with me, and my cutting wheel and mat. I didn't have a sewing machine there.

Living in Italy was a bit strange. It was less than a year since I had split from my husband, and I wasn't sure what to do next, or where to do it. I went to live in Brescia, which is between Milan and Verona. The first couple of weeks were horrible, living in a dirty flat run by a strange taciturn man - arranged through the school, Inlingua, that I was working for. After that I got a fairly expensive room in a flat on the edge of the central area of town. My landlady/flatmate was from Argentina, and spoke no English. Maria was fairly garulous and most of our conversations consisted of her rattling away and me interjecting the occasional 'si, e vero'. I didn't particularly enjoy the work or the firm. Most of the time I was teaching business English to individuals or groups of 2 or 3. Inlingua has its own textbooks and method, which didn't leave a lot of room for developing your own resources. I was not that experienced at teaching, but I did know that modern methodology for language speaking means the teacher should not talk more than the student. Yet, the most popular teachers were egomaniac guys with lots of stories to tell!

I enjoyed Italy, I enjoyed living in a historic city that was not on the main tourist thoroughfare. It was magic to be able to cycle (no helmet required, hairstyles far more important than brain damage) into the centre and listen to openair concerts, recitals, circus performances, all in balmy summer evenings. Daytimes were very hot by May through to September, with frequent afternoon thunderstorms. The flat was in the mansard roof, good, as it had a roof garden, bad, as hot air rises. Below us was a pizzeria that made fabulous prawn and rocket pizzas. During the afternoons I often had 3 hours to fill in between lunchtime lessons and after-work lessons. I tried to cut out the triangles and squares for the quilt, but it was hot work.



Finally I completed the central section of the quilt, the landscape, with appliqued grapevines round the outside. I didn't have much experience of quilting large things, but I knew that the central portion would be quite tricky to reach. So I quilted that centre section while it was still manageable. That might have been in 2002. At various other times in the next 3 years I made the rest of the blocks for the quilt and the borders and added them to the quilt top. Even later I added more backing fabric and batting and tacked it all together. I stitched round a couple of borders to keep it from shifting and put it in the UFO box.

Finally, in about March I got it out and determined to finish it. I almost did it before I went to England this time, but in fact there was more to do than I thought. After I had done the meandering and some of the block joins with a gold patterned stitch, I thought I only had a couple of things to do. But I found I had to machine the stems of the vines, which I had hand stitched. Then after the meandering the central area was a bit puffy and I had to add some stitching to that.

I pinned it to the carpet and steamed it square yesterday and pronounced it finished.

Sure the satin stitch from 2001 is not up to my current standard, but it looks good from a galloping horse, and that's OK with me.

Oh to be in England

England is SO English. Yesterday I did the walk near Mum's that goes up a wide pathway between a new woodland development and the scout hut/bowls green/tennis court, thence to the allotments and the parish church. There was a wedding party out front having their pictures taken. The bride wore a restrained wedding dress, stiff satin with heavy embroidery on the front of the skirt and a bolero jacket with a high back neck and cut away front. The wedding guests were mainly hatted, and tastefully dressed.

Today I did parts of the same walk. This time I went through the woodland, which has been in existence about 5 years, I think. A local landowner bought the fields and donated them to the trust, to avoid yet more executive villas. It's become quite a philanthropic venture. Local people donate £200 for a named tree or less for a smaller tree anonymously planted. We have one tree for my Auntie Pat, who died 2 years ago, and one from Mum and me for gratitude for each other. I met a lady out for a walk and got chatting since we were both sans dogs (most people are dog walking). She said she had to get home to listen to the Omnibus Archers! Further on I met a young woman clopping along on a large cob horse, his tail brushed and reaching to his hairy fetlocks.

The green of an English spring is like no other. And the smell of the different weeds and wildflowers is quite particular as well. Nettles, brambles and ground elder, mixed with apple, bluebells and campion.

It does remind me so vividly of my childhood years, and going for local walks with Mum and my brother. Dad never came - too many hobbies in his various sheds!

Out of the closet

Having put my creative projects on a shelf for a time, I got out an old UFO. This had been languishing in the cupboard for at least 6 years. I started it as a BOM in 2001, just before I went to live in Italy. I remember crouching on the floor of my attic apartment, stifling in the summer heat, cutting strips and square and triangles. I think I pieced a lot of them when visiting my parents, where my father was recovering from a car accident where he broke his pelvis.

Anyway, it is 60 by 83 inches, and greens and purples, representing the vineyards in Marlborough. Luckily I still like it.

I started on the quilting last week. I did some meander round the vines, and that looks good. Then I put on the walking foot and have been doing some of the blocks and borders. Because of the size and the weight of the quilt, I am having to do two passes round the blocks, one left and one right, so I don't have to rotate the entire thing. It's a bit like ploughing a paddock or mowing a lawn. The outside passes take a lot longer than the middle ones. I worked out when I was discing or rolling a paddock once, that if you divide the sides of the paddock into 10, then when you have done the 3 outer rows, you have done half the area.

I've experimented with various threads, including metallics, but the subject matter keeps telling me it doesn't want glitz, so half the time I am using standard white economy thread and it looks fine.

I don't think I will finish before I go to the UK on Thursday, but it probably won't need much longer.

It is great to get it out of my UFO box, because it took up heaps of room. It's made with high loft poly batting, so pretty bulky.